Andrew Moore (born 1957)

1979
BA Photography, Princeton University, Princeton, NJ
since 2001: Princeton University
Visiting Lecturer in the Council of Humanities and Program in the Visual Arts
Initiated first course in Digital Photography and Co-Founder of First Annual "The Art of Science" Competition
since 2004: School of Visual Arts, New York
Master Class, Graduate Program in Photograph

Selected Solo Exhibitions

2015

Galerie Alex Daniels – Reflex Amsterdam
Joslyn Art Museum, Omaha

2014

David Klein Gallery, Birmingham
Yancey Richardson Gallery, New York

Couturier Gallery, Los Angeles

Swarthmore College, PA


2012

National Building Museum, Washington D.C.

Grand Rapids Art Museum, Grand Rapids MI
University Art Gallery, Indiana State University


2011

The Queens Museum of Art, New York
Groton School, de Menil Gallery, Groton

Colby College Museum of Art, Waterville

2010

Akron Museum, Akron

2009

Yancey Richardson, New York
Koffler Centre of the Arts, Toronto

2008

Galerie CM Art, Paris
Museum of Nebraska Art, Kearney Nebraska
Jackson Fine Art, Atlanta GA
Rena Bransten, San Fransisco

2007

UBS Moscow Arts Center, Mokau
Museum of Russian Art, Minneapolis
Robert Moses and the Modern City: Columbia University, Museum of the City of New York, The Queens Museum of Art, New York

2006

Yancey Richardson, New York
Jaffe – Friede und Strauss Galleries, Dartmouth College
Galerie f 5,6, München
Jackson Fine Art, Atlanta

2003

Jane Jackson Gallery, Atlanta

2002

Yancey Richardson Gallery, New York
Robert Koch Gallery, San Francisco
Craig Krull Gallery, Los Angeles
Lake Austin Fine Arts, Austin, Texas

2000

Craig Krull Gallery, Los Angeles

1999

Carol Ehlers Gallery, Chicago
Yancey Richardson Gallery, New York

1996

Produser/Director of Photography for How to draw a bunny. A feature length documentary on the life and times of artist ray Johnson
Flight Sequence for Peter and Wendy, a Mabou Mines Production Directed by Lee Breuer. Premiered at the Spoleto Festival, Charleston, SC

1995

Director of Photography for Supermarket, directed by David Byrne. Gezeigt im The New York Film Festival.
Director of Photography for Edison, The Wizard of Electricity. Directed by John Walter for the American Experience Series
La Dolce Vita: A Profile of the artist Vito Acconci

1994

Janet Borden Inc., New York

1991

Janet Borden Inc., New York
Nosferatu: Short film, scored my Eliot Sokolov. Ausgewählt für MTV's Artbreaks series und WGBH's New Television

1991

Janet Borden Inc., New York

1986

Julie Saul Gallery, New York

Selected Group Exhibitions

2009

Rethinking Landscape: Contemporary Photography from the Allen G. Thomas, Jr. Collection, Taubman Museum off Art, Roanoke
„Focus on Photography", Hood Museum, Dartmouth College

2008

Recent Acquisitioins, The Queens Museum of Art
World Views, University of Northern Iowa

2007

Border Crossing Exercises, Gallery Nord-Norge, Harstad
Room x Room, James Harris Gallery, Seattle

2006

Recent Acquisitions, Philadelphia Museum of Art

2005

On View: Photographing the Museum, Yancey Richardson Gallery, New York

2004

Governors Island Municipal Art Society

2000

New York Now 2000 Museum of the City of New York
Emmet Gowin and Students Alfred University

1999

Starry Night Carol Ehlers Gallery
Ancient History Yancey Richardson Gallery
Full Exposure: Contemporary Photography NJ Center for Visual Arts

1998

Disappearing Summer Cinema, Yancey Richardson, New York

1995

H2O, Yancey Richardson Gallery, New York

1992

Janet Borden Inc., New York

Public Collections

Canadian Centre for Architecture
Cleveland Museum of Art
Columbia University
High Museum, Atlanta
Hood Museum of Art, Dartmouth College
International Museum of Photography, George Eastman House
Israel Museum, Jerusalem
LA County Museum
Library of Congress
Museum of the City of New York
Museum of Nebraska Art
Mead Art Museum, Amherst College
New York Public Library
Philadelphia Museum of Art
Princeton University Art Museum
The Queens Museum of Art
San Francisco Museum of Modern Art
Snite Museum of Art, Notre Dame
Francis Lehman Loeb Art Center, Vassar College
Whitney Museum of American Art
Yale University Art Gallery

Grants and Awards

2002

Sundance Film Festival, Special Jury Prize

1997

Judith Rothschild Foundation Grant

1996

Cissy Patterson Foundation Grant

1995

Black Maria Festival, Director's Citation Award

1985

The Kaplan Fund

1984

NYSCA, Exhibition Grant

1982

Finalist, Prix de Jeune Photographes, Arles, France

1981

National Endowment for the Humanities, Youth Grant
Commissions and Residences

2008

World Monument Fund/Knoll International, Main Street Modernism

2006

Artist in Residence, Dartmouth College
Trees Portfolio, Vassar College

2005

Cleveland Clinic, Cleveland OH

2004

Public Art Fund, Governors Island Project

1999

Public Art Fund, Hilton Hotel, Times Square

1998

MTA/Arts for Transit, Lightbox Project at Times Square

1995

MTA/Arts for Transit, Lightbox Project at Grand Central

1993

Dreyfus Corporation, NY

1987

Citibank, NY
Trenam Simmons, Tampa, FL

1980

Downtown Development District / The City of New Orleans

Publications and Reviews

2007

Close Up: Photographers at Work, Ovation TV
Robert Moses and the Modern City, Hillary Ballon and Kenneth T. Jackson, W.W. Norton
Artnews, Hilarie M. Sheets, Exhibition Review
New Yorker, Vince Aletti, Exhibition Review
New York Times, Martha Schwendener, Exhibition Review

2006

New York Sun, Deborah Garwood, Exhibition Review
Two Views, Cleveland Clinic, photographs by Larry Fink and Andrew Moore
Valley News, Hanover NH, Exhibition Review

2005

Russia: Beyond Utopia, Chronicle Books

2004

Governors Island, Photographs by Lisa Kereszi and Andrew Moore
Stray Bowling Balls and Other Ghosts of Governors Island, Photography Review, Sarah Boxer, NYTimes
Communism´s Faded Glory, Leah Ollman, LA Times
New York Sun, Talya Halkin, Exhibition Review

2003

New Yorker, Exhibition Review of Russia Show
New York Magazine, Exhibition Review
Village Voice, Vince Aletti, Voice Choice
The Art Newspaper, Exhibition Review
Watching Times Incursions, Atlanta Journal Constitution

2002

Moore's Havana SF Weekly, Exhibition Review
„A Collage in which Life=Death=Art", Michael Kimmelman, NYTimes
„How to draw a Bunny" Review, Stuart Klawans, The Nation
Inside Havana Chronicle Press

2001

„Cuba's Spirit Resounds in Decaying Spaces" Review, LA Times

1999

Visual ID, Havana Portfolio, Japan
Chicago Reader, Exhibition review
Hemisphere Magazine, Havana Portfolio